Like many composers, I have a temperament that lends itself to spending long hours alone.  However, one of the greatest joys to be found in music is the experience of sharing it with others, whether as a listener, as a performer, or as a creator.  The beauty of collaboration is its potential for emergence: the way that a collective result can emerge that is so much more than the sum of each individual's contribution.  Here are some of my past and present collaborations.

Grant Wallace Band

Part band/part composers collective, Grant Wallace Band is a collaboration between myself and fellow composer/performers Ben Hjertmann and Luke Gullickson.  Through a uniquely collaborative process, we create and perform music that defies easy categorization, combining threads of new music, jazz, and American vernacular styles.  We have played throughout the country, including appearances at Fast Forward Austin, the Resonant Bodies Festival, and the Chicago Cultural Center.  We have collaborated with Ensemble Dal Niente, the Chicago Composers Orchestra, and are currently incubating a project with the Houston Grand Opera, slated for premiere sometime in 2016 or '17.  Our debut LP, Axle of the World (with Rabbit) was released in July 2015 on the Two Labyrinths label.  For more information or to see upcoming shows, visit grantwallaceband.com.

Excerpts from "The Bridge", a song cycle with orchestra composed by the Grant Wallace Band. For inquiries, please contact us at grantwallaceband@gmail.com. See more at www.grantwallaceband.com Ben Hjertmann, voice/mandolin Chris Fisher-Lochhead, viola/voice Luke Gullickson, piano/voice Chicago Composers Orchestra Allen Tinkham, conductor with Tom Snydacker, saxophone Recorded at Constellation, Chicago, IL October 25, 2015

Dropshift Dance

Since 2013, I have worked periodically with choreographer Andrea Cerniglia, providing music for the pieces she creates for her dance company Dropshift Dance.  Working closely together over months of incubation and rehearsal, we have created two full length pieces, Imposter/Malleable, presented in February of 2014, and Imposter/Contained, presented in May of 2015.  For my part, I have contributed recorded and electronic music as well as participating as an improviser.

Imposter/Malleable, excerpt Links Hall, 2014 An experimental dance work by Andrea Cerniglia exploring concepts of persona, adaption, and transformation in response to situations of the physical and social realm. Performers are introduced from multiple habitats; ranging from an informal dressing room to a narrow wing space, and finally from formal center stage. Dancers move readily from space to space; utilizing an exaggerated animation of body parts, including but not limited to the face. An evening of vignettes unfolds to reveal eccentric movement entrenched within a world of evolution and periphery. Featured Artists: Andrea Cerniglia with Julie Brannen, Weichiung Chen, Colleen Welch Original Score: Christopher Fisher-Lochhead Set and Costume: Amanda Lee Franck Lighting: Richard Norwood Co-Produced with Links Hall Direction: Andrea Cerniglia; movement in collaboration with the dancers Video Documentation: Nadia Oussenko, Carl Wiedemann Video Edit: Nadia Oussenko This project is partially supported by an Individual Artist Program Grant from the City of Chicago Department of Cultural Affairs & Special Events, as well as a grant from the Illinois Arts Council, a state agency through federal funds provided by the National Endowment for the Arts
Dropshift Dance Presents: Imposter/Disrupted Performance Location: Chicago Cultural Center 78 E Washington St, Chicago, Illinois 60602 Artists Include: Andrea Cerniglia, Julie Brannen, Anne Kasdorf, Nicole Jean, Colleen Welch, Chris Fisher-Lochhead, Rosa Gaia, Amanda Lee F., and Richard Norwood Recorded by Roberto Martinez

Kong Must Dead/Sissyeared Mollycoddles

I have been fortunate enough to have close personal relationships with many musicians with whom I have worked through the years.  One such person is Ben Hjertmann, a composer and singer who I met in grad school and with whom I continue to find joy and inspiration in collaborations to this day.  As part of the perpetually self-reconfiguring Sissyeared Mollycoddles, I played at South by Southwest in 2011 and recorded an album, Angelswort, in 2012.  More recently, I spent a week in North Carolina with Ben's current project, Kong Must Dead (also including Luke Gullickson and Ryan Packard) to record a new album.  That album, titled Psychopomp, is slated for release some time in 2016 and features the fruits of an intense week during which I learned the pedal steel guitar and recorded my first (and last) trombone solo.

Carla Kihlstedt

Between 2007 and 2009, I was a member of Carla Kihlstedt's music-theater project Necessary Monsters.  The ensemble, a diverse group of musicians including members of Sleepytime Gorilla Museum, Rube Waddell, and Zen Cabaret performed the work in Oakland and Chicago.  The experience was formative; over the course of several weeks, the band became a temporary family and I learned how to negotiate the constantly shifting balance between camaraderie and professionalism.  I also spent my first long days recording in the studio, acquiring experience and skills that I rely on to this day.

A staged song cycle loosely based upon Jorge Luis Borges' BOOK OF IMAGINARY BEINGS. Written by Carla Kihlstedt and Rafael Oses