Review of Wake up the Dead in The Whole Note
My recent portrait album, Wake Up the Dead (New Focus), was recently reviewed by Cheryl Ockrant in The Whole Note’s February/March 2024 issue:
“Vermont-based composer/performer Chris Fisher-Lochhead’s album Wake Up the Dead assembles six pieces of wide variety and instrumentation, including two works each for string quartet and female vocal quartet, one for mixed instrumental ensemble, and one extended work for solo bassoon.
“The album opens with stutter-step the concept, a commission by the Ensemble Dal Niente in 2016. This is a meaty introduction to Lochhead’s style of composition, and the ensemble interprets the score with commanding familiarity. An overall multi-phonic richness leaves space for irregular string solos, false harmonics and rich lower string resonances that are distributed evenly throughout the instrumentation giving a cohesiveness that sets up the rest of the album. The track Precarity Songs is a gorgeous piece for four high vocals performed by the Quince Ensemble, who also return on track five with Four Until L8, a more humourous piece with text. Track three, titled Funktionslust is performed by the JACK Quartet, and is a tightly wound collection of long tones, pizzicatos and expressive outbursts often layered simultaneously and at times stretched apart and then reduced again. The quartet takes the work in stride and makes the difficult score sound easy.
“The fourth track in the collection, Grandfather, a work for solo bassoon written for contemporary specialist Ben Roidl-Ward, is a commanding piece of extended technique bringing up the phrase New Complexity. It was illuminating to find the score online; it helped to appreciate the writing, the incredible execution of the overtones, key clicks, and vocal outburst as well as the creative and detailed notation. The final track After Bessie Smith returns with the JACK Quartet, to close the collection with an extension of Fisher-Lochhead’s signature stretching and reducing of thematic material. A very interesting album for new music and deep dissonance lovers.”